to build a sound
of tearing the wait
from a body
of water
earth
salve
the punch of light
from behind us
what pouring is flung
and so a pre-set
emission of agreement
voicing in elemental phrases
what senses
are stripped
by oil
idea of volume
carried by shape
self as parsed
language and size
of print – what shoves
between the words
to believe the sirens
and the rocks
words inked from
their settle
police siren meant
so simple in the home
colors of the former
cedar – like the tree
had quit its job
one sounds the earth
out and it lets this
happen – how the mounds
let the weeds
go/grow – what’s dead
in them is dead
dead in us
and we’ll wreck
the hole of its best
felt shapes/
how the mouth
oil all on the ranks
the flit and stink
of what raises
itself before us
archetypes paid
to remain still
in all of time
how the markets all
whatever toy is simple and cranked
you stick the writing in where it fits or you don’t get done
with anything you so-and-so madness
a thumping sound in motion
the rule was to work toward vomit and sitting next to someone
lyricize the landscape or conception of self into it
no escape from the land or sound even a string
a set of fotos can slip into sense word burn in the liquor of men
& smallish states built into the finery
all of the things to throw out of the body and the escape it’s playing at.
half a map and the O stuck in the near distance – how
in the blood is the blood, how the road and things slip
lump foresting a wreck
wall the carpet bunches again
one fine point
more
make the bees live alone
or live in the constructed put the human
model of the titanic to sink behind the screen
it – honey downed ice cap the ass in its full
moon hole
great collective death with family
&what we make to laugh in public
but no commentary on how to see the words come together
the intimate as list and what a string of observations
can make exterior input & interior input matchsticks
how the internal shifts place – something fire generally
in the possible voice – document as sound being drafted
and coiled.
to put the force of faces together – am an argument, said
moving between the sound
& then
there are things
like this I don’t make it
up
here’s to experience you muppet-fucker
reading tactile – a threat/thread to repeat between words
column/volume shifting to stage
a look
away.
the flock decided as some force – mute
to trip the step away
lock things up before you set them out
the good house to be an add-on
leaning to the things that hold us – to make a horse a rider
to make
the horse
a word of habit
a word inhabited
the play with what is sprinkled in as aside
house – no house like it, no siree
hope you keep it
up
‘I throw out my head as fast as I can’ ‘there is nothing that is not
appropriation’
ruminate on the sounds of robotics – the gem like construction of what hovers above us
the stop motion animation of our commercial childhoods
all the things to collectively hate and what happens after it dies.
you can put it on what you agent for. you can put it on what you forget – the only genius
is the room.
hit the nearest line with all your face | you dig it in the dark
accumulation and thinking to almost nonsense – and then strung together sense – what makes nonsense and input of all the sources become noise until it is not that.
bitten off the faucet
to snare with a phrase, to start and stare
is one way to be afraid
wrote the poem where
all the pieces came apart and we were whispering
about ET and nobody ever came home again
the field was dusk
it was a field and it was also
a number of other contagions
to place the phrase in the dark
to race against
what emphatically can be stated, then recalled
to the mouth like a fountain
to the moth like its dust
a certainty in programmatic language
to wonder if the train can be made to go anywhere else
what the tracks’ regrets amount to is a whole forest
and even the caves